He just simply doesn’t want to.From the moment Beyoncé's RENAISSANCE begins, Queen Bey herself tells you exactly who she is: 'I'M THAT GIRL.' For her seventh album, her least personal but most confident to date, it is not hyperbolic to say RENAISSANCE is the sound of a once-in-a-generation superstar performing at her peak, akin to Mike Tyson knocking out Michael Spinks in 91 seconds in 1988 or the Chicago Bulls going 72–10 in 1996.īeyoncé pulls no punches on RENAISSANCE, delivering 62 minutes of sonic joy filled with unabashedly fun, self-assured and sexy lyrics. I’m sure with Marshal’s presence in the industry he could easily pass the legal hurdles. I don’t think it’s had a positive impact on his later works which are, among other things, a testament to himself. The main point would be the management of his legacy, though. Marshal Mathers the rapper’s persona is half a façade and Mathew and Stan are symbolic

The Marshal Mathers LP is really the height of this, where he creates a physically unreasonable portrait of himself that is emotionally true. Unlike Infinite, the rest of his projects are built on irony in some way. Dre as the real start of his career so that is where his modern discography starts. It was basically a failure and he doesn’t see the value in republishing it. In interviews he doesn’t really care about Infinite or defend it when asked about it. When I curse, I swore to protect my image

(As you know there is no explicit language in the entire album.) This is also why he added “back in that motherfucking ass” to the intro of the Infinite remix that is on all the streaming services. Apart from legal issues, Eminem also wants to kind of bury it because he wants to preserve his mythology.

Beyonce discography on spotify news